R-E-S-P-E-C-T in the Research Community

by Casey Carpenter on March 5, 2010

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A few months ago I unexpectedly found myself gathered around my boyfriend’s grandmother’s kitchen table, munching on dosas and chutney with an anesthesiologist. Ever since I’ve been digging my brain into the tortuous research issue that I am often confronted with when one discovers that I am studying naturopathic medicine. respectI’d dreamed of this moment for a long time; the moment where I would, by happenstance, find myself at dinner with a doctor where we would both discuss our philosophies and listen to each other with sincere interest and appreciation. The doctor would be taken aback by my verbal fluency and savvy medical knowledge, and after hours of meaningful conversation when we are parting ways, the doctor would walk away having a new found respect and understanding for naturopathic medicine.

This isn’t quite how things went down.

Understandably, and quite respectfully, this doctor had a plethora of questions as to what role naturopathic medicine has to play in this modern era. He admitted his doubt and his skepticism, both qualities which I consider necessary for any doctor, scientist, philosopher, or human attempting to expand their understanding of the world to which we belong. Contrary to my fantasy dinner, his skepticism seemed to create a harsh, dismissive tone and made it difficult for me to trudge my way through the conversation with the poise I had imagined. I was intimidated and overwhelmed. It seemed that questions were being thrown at me at a pace that was too fast to give a fulfilling answer.

With each question I was scrounging for the correct words and self-assurance to provide this doctor with the explanation that he deserved, the explanation that anyone who is inquiring about this affective, gentle, holistic philosophy of medicine deserves. After about fifteen minutes, the doctor bid his farewell and I was left humbly at the table perplexed, wondering how I could have better handled that treasure of an encounter.

Though Emerson boldly pronounced that “to be great is to be misunderstood”, I felt like this was a cop out in my situation. The most frustrating aspect of this encounter was my inability to express what I know is indeed expressible. Since that dreary December evening, I’ve made it my mission to understand how to convey the gentle, tenacious, credible nature of this medicine, and in particular, the research “issue” revolving holistic health care.

respect_2What is this research issue anyway? The question I find that I am most often confronted with by medical and scientific professionals concerns our relationship to the Randomized Controlled Trial (RCT). The RCT is a kind of omniscient force within the health care industry and is definitely held as the gold standard within the conventional medical community. Therefore, my first aim has been to understand RCT and how it relates to naturopathic research. Thus far in my research-issue exploration, I’ve learned that the RCT is indeed a cherished asset to all medical fields. It is with this type of study that we have been able to infer causal relationships, test the efficacy of therapeutic interventions, and, when performed correctly, RCTs have an effective method to control for research bias.

So why is the RCT not held with the same esteem within the naturopathic medical community? In regards to holistic medicine, it is the exclusive nature of RCT upon which we base medical intervention that is the problem. RCTs isolate a single variable to fix a single problem of a very complex system. It has undoubtedly been advantageous in testing the effectiveness of that isolated variable on a specific mechanism. However, it is inherently against the philosophy of naturopathic medicine function in this way. Naturopathic medicine is a whole systems approach to health care and this form of study is not reflective of that philosophy. This is not to say that we should not test the safety and efficacy of our methods, we are just requiring an exhaustively comprehensive method of testing our interventions.

While the RCT takes into account a single variable, the holistic model aspires to factor in the doctor-patient relationship, the patient’s family, personality, sense of well-being, emotional state, spiritual life, diet, stress, sense of self, and the list continues…. Isolating a single factor, as in the RCT, simply isn’t enough to capture all the humanity in our patients. This type of research design treats participants one of two ways. In naturopathic medicine, there is not necessarily a single standard of care for a given ailment. An individual may leave the doctor’s office with one treatment option while another individual with a seemingly similar diagnosis will leave with a completely different treatment plan.

respect_3I believe the naturopathic research community is proposing a balance between the preponderate RCT, inclusion of other studies, and development of a type of whole-systems study design that encompasses the true nature of holistic medicine. It is important to remember to not throw the baby out with the bath water. Despite the RCT’s limitations in regards to holistic medicine, there is a reason it is held with such high regard in the conventional medical community.

Though all designs will innately have their own shortcomings, I believe that if we are approaching research with integrity, solidarity and the wholehearted intention of forming a better world, we are on the most auspicious path.

As health professionals and researchers, we bear a responsibility to keep medical practices pure, beneficial, and altruistic in nature. Therefore, we must be willing to forgo our pride, cooperate with one another, and see our shortcomings from a brave perspective so that we can progress on our path to excellence, understanding, and unity.

I hope that in future encounters when I find myself munching on dosas with a doctor or any other inquisitive individual, I will be so dignified as to honorably share the philosophy of naturopathic medicine while respecting my counterpart in conversation.  I will accept the constructive criticism, especially if its intent is to make our health care system better, and to always remember that behind our arguments and differences, we’re all people.

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The Unspoken Language of Music

by Kimberly Ann on February 19, 2010

wavescolorMusicians are impressively able to interpret a vast sea of information from internal and external cues, and then weave it into an experience for others to enjoy. But how is this possible?

Have you ever stopped to wonder how musicians get their ideas? The ability of the brain to make sense out of nonsense is truly an art form.

Every great musician possesses the ability to read or understand underlying musical harmonics, the inflection and structure of sound. Most musicians start with the basics, the known building blocks, applied on a conscious or subconscious level. A rather tactful example of this is Danger Mouse’s Grey Album, where he successfully integrates two distinct genres of music, present-day hip-hop artist Jay Z’s The Black Album with select sounds bites from The Beatles’ White Album. city-waterfallDanger Mouse sampled pieces of music, speeding up tempos and overlapping patterns from an existing medium in a quite ingenious manner. One of the reasons why Danger Mouse pulled off the task so elegantly was through the use harmonic structures from each respective album, relying upon a basic backbone comprised of complementing sounds and rhythms.

Songs stylishly fashioned upon elementary construction require an acutely perceptive artist, one who knows the codes of musical composition. This knowledge can be based upon different abilities derived from circumstances such as hours upon hours of piano practice; a collection of alphabetized LPs that continue to earworm in and out of your head; or an exceptional innate talent, such as Beethoven.

Either way, musicians possess the ability to prepare, interpret, and understand these basic construction tools. So when musicians get together, this universal structure for communication literally allows them to speak another language, conveying thought and emotion, predicting and playing off each others patterns. It’s like a conversation between people, only words are not used, rather instruments and notes are the medium of dialogue.

Turns out, the structured aspects of music, such as octaves and harmonics, are akin to our language skills in the brain. Neuroscientists, or people who study the brain, are particularly enchanted by the musical muse and are actively refining and defining how musicians create new material. The unlikely pair has teamed up in the laboratory setting using fancy, hi-tech machinery in order to uncover how the brain is able to cut through the noise and chaos to create a song, and well… do it with style.

Neuroscientist Dr. Charles Limb reports that the areas of the brain, which become active for improvisational jazz pianists, are the same areas that light up when complex language is used. This area of the brain is known as the prefrontal cortex and is located just behind your forehead. Despite the excitement from the scientific spectrum, this rather bland description does not adequately give full justice to the experience of musical perception and participation. For me, a blip on a brain map seems somewhat after the fact… the ‘how and where is music downloaded?’… is the other half of the equation that remains to be solved.

Legendary music contains a creative edge that digs deep into our souls and goes beyond just playing the same old song. A lot of passion gets put into music, perhaps it’s the  exploration of the unknown, pushing past the usual tones and the status quo. drylandsescapeThe creation of music also has a great deal to do with building off the old, adding improvisation into the medium, in essence adding different perspectives on top of or inspired by previous musical renditions. Not to mention the ability for a musician (or any artist for that matter) to be in the moment acting as a conduit or an interpreter for that exact derivation of time. The whole equation– if you really think about it– is pretty profound.

Visionaries in the fertile fields of music are not afraid to tread upon new ground, define boundaries in the chaos of musical notes craftily designed to reshape our minds. According to James Lincoln Collier, author of “The Making of Jazz”, jazz is essentially a musical experiment, in search of the new and striking discoveries, adding and subtracting on top of existing permutations. An unspoken language that is created on-the-spot is described as improvisational, or spontaneously created without preparation.

Neuroscientists and musicians alike can see a similarity for the language of music, it is built upon two factors: structure and potential. Brain activity reflects just that, yet current research still does not adequately describe the illusive muse, and maybe none of it originates in the fatty tissues of the brain anyway, rather our brains are the mere records of our ethereal dances. Musicians are perhaps more akin to philosophers, taking the abstract and formulating auditory patterns from its chaos rather than volumes upon volumes of quizzical wordplay. Either way, it’s pretty interesting to think about how communication, be it language or music, can excite the same neurons and insight new parameters of thought and tempo.

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Limb CJ, Kemeny S, Ortigoza EB, Rouhani S, Braun, AR. Left hemispheric lateralization of brain activity during passive rhythm perception in musicians. The anatomical record. Volume 288A; Issue 4; p 382-389. 2006.

Limb CJ, Braun AR. Neural substrates of spontaneous musical performance: An fMRI study of Jazz improvisation. PLoS One. 3(2): e1679. 2008.

Neuhaus c, Knosche TR, Friederici AD. Effects of musical experience and boundary markers on phrase perception in music. J. Cognitive Neuroscience. 2006. March; 18(3): 472-93.

Robertson P. What is a Musical Genius? Clinical Medicine 8:178-81. 2008.

Sieborger FT, Ferstl EC, Cramon DY. Making sense of nonsense: An fMRI study of taks induced inference processes during discourse comprehension. Brain Research Vol 1166. 29 August 2007, p77-91.

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Helfgott’s Effervescent Sprite Makes a Move for California to Become a Farmer and a Poet

February 16, 2010

Yep. The rumors are true; yours truly has decided to plant her roots in a sunny location with views of the ocean, embedded within 300 acres of pristine forestland and old-growth citrus and avocado groves, tending to the needs of poorly understood words and propped up ponies. My educational experience at NCNM continues to foster [...]

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Flogging a Dead Horse

February 10, 2010

Dear Office Spacers,
You ever wondered why we get distracted at work? Unable to concentrate on the task at hand? Perhaps it’s seeded in the earworms that plague us or the inability for sit still for an 8-hour workday. Perhaps it’s the glowing computer screen that stares blankly back at its imputer, waiting for insight or [...]

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Buy Local?

January 22, 2010

By Will Newman II, Co-founder of OSALT and thoughtful blogger for Think About it
So buying local is the latest progressive thing to do. But what does it mean, to “buy local”?
Here’s what “buy local” means – not just buying from your locally owned store (which is very important), but buying stuff made locally – [...]

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